August has arrived and it has brought us a multitude of wonderful videos on one of the streaming services: Prime Video.
Last month, the service received hits like “Mission: Impossible – Dead Reckoning Part One,” and this month is no different. In August, Prime Video offers recent thrillers like “10 Cloverfield Lane,” classics like “Cinema Paradiso,” and more. more.
Below, we’ve detailed all of the most productive new Prime Video videos this month that have top ratings on review site Rotten Tomatoes. After all, it’s not an absolute guarantee that, like any of those films, they all have slightly different tastes, but a high critic score is sometimes a falsified indicator of quality, at least. Here are seven of the most productive new Prime Video moves to stream this month.
Don’t see anything you need to convey? Check out our full roundup of everything new on Prime Video and Freevee in August for your watch.
“10 Cloverfield Lane” is the second film in the “Cloverfield” franchise and is an ambitious step up from Matt Reeves’ 2008 monsters discovered film.
In this tense sci-fi effort, Michelle (Mary Elizabeth Winstead) wakes up chained in a bunker after losing consciousness in a car accident. Howard (John Goodguy), the bunker owner, frees her and tells her that there has been an alien attack and that the outside world is poisoned, leaving her trapped inside with him and a young man named Emmett (John Gallagher Jr. ). But is Howard telling the truth about what’s going on?A lie with sinister intentions?
Before presenting “Star Wars”, George Lucas presented us with “American Graffiti”, a coming-of-age hit set in the 60s and that introduces us to an organization of top-level academics totally immersed in the rock n’ roll scene.
About to leave his small Californian town, his most productive friends Curt Henderson (Richard Dreyfuss) and Steve Bolander (Ron Howard) and their friends hit the streets to give one last hurrah before leaving for college. Nostalgia, this is an old movie with an amazing soundtrack that still holds its own, whether you’re in the original era or not.
Giuseppe Tornatore’s “Cinema Paradiso” is one of the most productive films about cinema.
Told largely in flashback, this haunting Italian film has director Salvatore Di Vita reminiscing about his busy youth: as a child, he spent virtually every moment he could at the Paradiso cinema, falling in love with the big screen and forming a friendship with projectionist Alfredo in spite of each and every one.
Like all of us, Salvatore grows up, but never escapes his love of movies. . . and his elderly friend urges him to leave the city and pursue his dream. It is a heart-warming, life-affirming coming-of-age story; smile, cry, and if you’re like me, it will leave you with an even deeper appreciation for the magic of cinema.
John Woo’s “Face/Off” is a captivating game of cat and mouse that, on paper, is absolutely implausible. It stars John Travolta and Nicolas Cage as FBI special agent Sean Archer and terrorist Castor Troy, respectively.
After a tragedy, the pair engage in a long-running vendetta that culminates in Archer knocking out Troy and then having a doctor transplant Troy’s face onto his own. He did it to thwart a conspiracy. . . but when Troy wakes up, he forces the same doctor to put Archer’s face in his frame and sets out to ruin the agent’s life.
What follows is a perfect adventure in which both stars perform at the highest level, betting on a character. . . who plays a character. It’s bold, over-the-top, and absolutely exciting.
This 2012 hit is a forged blend of clever sci-fi and high-octane action. “Looper” takes us to the year 2074, to a world where time is invented, but becomes illegal and the mafia temporarily follows it.
When criminal organizations need to get rid of someone, they send their targets back in time, where a “Looper” (aka hitman) is hired to eliminate them. Joe (Joseph Gordon-Levitt) is a much-loved Looper, with a big retirement. plans, but if he lives long enough, he knows that he will eventually be forced to get rid of any evidence by committing suicide. And the mind-blowing drama begins to unfold when our hitman realizes that the day may have arrived when he discovers himself. sitting across from old Joe (Bruce Willis).
Can’t wait for everyone’s favorite jam-loving bear to return to the big screen in “Paddington in Peru”? Well, the first adventure of Paddington Bear has just arrived on Prime Video and it is surely worth a watch.
This first family adventure follows the eponymous young bear (voiced by Ben Whishaw) from “Darkest Peru” to London, England, where he hopes to find a place he can move to. Arriving at Paddington station, he meets the Browns. circle of relatives (Hugh Bonneville, Sally Hawkins, Madeleine Harris and Samuel Joslin) and does everything he can to have compatibility in their busy lives. . . while he faces off against a vengeful taxidermist, Millicent Clyde (Nicole Kidman).
The sequel to Quentin Tarantino’s 1994 “Reservoir Dogs” is still a striking sight and remains one of the director’s films, and now is the most productive time to revisit it when it arrives on Prime Video.
A heady combination of black comedy and crime, this general harvest weaves the lives of two hitmen (Samuel L. Jackson and John Travolta), a mob boss (Ving Rhames) and his spouse (Uma Thurman), and an elderly boxer (Bruce Willis). ). It’s an invigorating, violent, and undeniably fun watch that never goes out of style.
Martin is a streaming editor at Tom’s Guide, which covers all things film and television. If it’s in the cinema or must be broadcast somewhere, you’ll probably see it. . . especially if it includes a dragon. Prior to joining the team, he was editor of What To Watch, where he wrote about a wide variety of shows, from “Doctor Who” and “The Witcher” to “Bridgerton” and “Love Island. “Must-watch movie or show, you’re probably in front of a screen betting massive role-playing games, reading, spending a fortune on trading card games, or watching the NFL.
This gripping drama series has just made it into Prime Video’s top 10 most sensible series, and it’s one hundred percent on Rotten Tomatoes.
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